There aren’t any published books.
Yet.

But here are some stories just waiting to be published:

LOVE IN REALITY

Libby Pembroke is living a double life: she’s a successful law student by day, but by night she’s working as her twin, a flirtatious bartender named Lissa.  The twin swap was to end when Libby left for her summer job at a law firm, but she hadn’t known that Lissa had applied to be on The Fishbowl, a summer reality TV show.  When Rand, the show’s producer, arrives to audition her as Lissa, Libby is attracted.  Libby’s law job falls through just as she learns “Lissa” got picked for the show.  Now she has to decide between tending bar for the summer or playing the ultimate game: pretend to vie for a million dollars while trying to win Rand’s love.  She might be locked in a fish-themed TV set for several weeks, but she’ll be talking with him every night.

Rand Jennings hates his job on The Fishbowl, but it keeps his high-powered producer father off his back.  When he meets Lissa Pembroke, something about her intrigues him.  He’s thrilled when she’s cast for the show; finally a reason to love his job.  There’s a spark between them, and he’s going to have all summer to savor their nightly conversations.  Before he knows it, his desire causes him to risk his job just to be alone with her.  When he risks losing her, though, he’s the one who has to come clean about who he is.

THE COST OF HAPPINESS

Meghan Mattson quit law school to pay the fine from her mother’s scam.  She’s unappreciated as a paralegal in a law firm when Dan Howard joins as a partner . . . and her boss.  Maybe it’s his experience at the US Attorney’s office, but Dan seems thrilled to have her helping him on a tricky defense.  At first she’s just happy to be thinking like a lawyer again, then gradually she realizes Dan also makes her heart sing.

For Dan, smart is sexy, which means Meghan is smoking hot.  Dan hasn’t felt this way about a woman since law school.  His professional respect for her mind leads to a powerful physical attraction that ignites when they have to travel together.  As their affair flourishes, Dan knows he wants a future with Meghan.  But before he can convince her to trust him, he has to deal with his past . . . and hers.

BLACKJACK AND MOONLIGHT

What exactly is Judge McIntyre up to?  Lawyer Elise Carroll has reason to be suspicious, because Jack “Blackjack” McIntyre is as famous for his romantic conquests as he is for his skyrocketing career as the U.S. Attorney.  Yet Jack, now one of the youngest judges on the federal bench, has excused himself from a case where Elise is defense counsel because he says he’s in love with her?

Elise cannot believe her ears; she’s never even met the man.  Behind her professional demeanor Elise is a barely-there-undies and rumpled-sheets kind of woman, so she decides to take advantage of the situation by inviting Jack over for “dinner” only to discover that they have a true conflict of interest.  The infuriating man has marriage on his mind, and wants to court Elise the old-fashioned way — with fine dining and candlelight.  Elise is convinced that he’ll get bored eventually and move on, but Jack is as tenacious at love as he is at the law.  This may be one battle Elise ends up losing if her heart defects to the other side….

LOST AND FOUND

Lissa Pembroke had been drifting into her future when tragedy changed everything.  Six months later, she’s back on the East Coast, struggling to figure out where her life is going.  She can’t hear herself think with her parents’ and sister’s well-meaning concern.  She needs a place to stay, so she lands on Phil Gaffney’s doorstep: he’s practically family, he’s got an extra bedroom, and he doesn’t ask her how she’s doing every hour.

Phil is stunned: the woman he’s been in love with for over two years wants to move in.  But recent events mean he can’t reveal his heart to her . . . yet.  With his ingenuity as a lawyer, he plans to ensure that when she’s ready, Lissa will see him as a man and not as a roommate.

They both learn that desire has a timetable of its own . . . and that the past doesn’t expire on cue.